On Thursday, December 14th the Community Center for the Performing Arts proudly welcomes Bell Witch to the WOW Hall.
Nothing’s bigger than life. All vastnesses — expanding space, infinite time — crouch inside of consciousness. On a historical scale, to say nothing of a cosmic one, the individual human life vanishes, and yet it’s the only aperture any of us get into reality. It’s barely there, and it’s all there is.
That’s the paradox Bell Witch drives at. For more than a decade, the Pacific Northwestern doom metal band has sent tides surging over the seawalls of the song form, unraveling conventional expectations about the ways music stations itself in time to absorb a listener’s attention. Rather than seek catharsis, the duo’s songs heave themselves through time at a glacial pace, staving off resolution in favor of a trancelike capsule eternity. Invoking both boundlessness and claustrophobia in the same charged gesture, Bell Witch cultivates a sense of time outside of time, an oasis inside an increasingly frenetic media culture.
For their new album, The Clandestine Gate, bassist Dylan Desmond and drummer Jesse Shreibman exploded Bell Witch’s bounds. Like 2017’s lauded Mirror Reaper, The Clandestine Gate is a single 83-minute track — a composition that pulses and breathes on a filmic timeframe. It constitutes the first chapter in a planned triptych of longform albums, collectively called Future’s Shadow.
Born in Haining, China, Otay:onii (Lane Shi) is a troubadour, performing musician, multidisciplinary installation artist, working sound designer and film composer currently residing in NY. She is also the vocalist and synth player of the punk spit band Elizabeth Colour Wheel (US). Otay:onii ’s installation performance piece Unwrap! opened its first edition at Ming Contemporary Art Museum in Shanghai (2021), as well as a series of improvised sound pieces at Himalayas Museum, FanRong Museum, etc. Electronic, ambient, sound collage or noise, Otay:onii breaks down structures that “chains her neck and feet”, aiming to be free on the ride of acute instincts and establishing a bodily connection through the synchronization of the heart and mind. She believes in echos, and “solving a puzzle with another puzzle that can’t be seen, be touched, but to feel.”